Manuel Pasquinelli - 2025 - Heartbeat Drumming [Bellmund Session]

(37:31; Heartbeat Rhythm Productions)






















Track list:
1. Heartbeat Drumming [Bellmund Session] 37:31

Line-up:
Manuel Pasquinelli - drums, percussion, drones


Switzerland based drummer Manuel Pasquinelli has been an active musician for a good number of years, with the drums as his chosen instruments. Currently he is a member of a small handful of bands, with Sonar perhaps being the most well known, Akku Quintet also being a band known by many and with Schrödingers Katze as the final of his currently active bands. This year Pasquinelli is out with his first proper solo album. It is called "Heartbeat Drumming [Bellmund Session]", and is an improvised live in studio performance that clocks in at a little bit shy of 38 minutes.

This is a bit of a minimalist creation, where the main instruments are drums and percussion, with an ambient floating synthesizer presence that complement the rhythms. The improvisation ebbs and flows between various patterns with the synthesizer drones fluctuating and alternating alongside the change in the rhythm details, with certain phases and patterns if not repeated directly then at least returned to in a more general manner. In many ways this is an elongated drum solo I guess, as I have encountered quite a few instances of drum solos accompanied by some manner or other of a minimalist musical backing over the years.

For my sake as a mere listener this isn't the kind of album that I found to be all that enthralling. I do like and enjoy drums and drum solo runs, and really enjoy the escapades of drummers such as the late Neil Peart and Gavin Harrison for instance, but in this case I found the rhythms produced to be not quite up my valley. I suspect that this improvisation may lean more towards the technical side of matters without making use of the more musical, melodic and expressive attitudes I associate with the likes of Peart and Harrison. As with all matters in music, this will be a case of subjective taste in music, and in this case subjective taste in rhythms.

My perception of this production is that it is probably one with a bit more of a defined niche appeal. Where I'd guesstimate that those with a specific interest in rhythms that leans more towards the technical aspects of the instrument, and how skills in that department can be used in an improvised performance, is the audience that will find the landscapes explored on this album to be most interesting. As well as other drummers, obviously.

Olav M. Björnsen, April 2025

Links:
https://www.pasquinelli.ch/

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